❮Read❯ ➳ The Russia House ➶ Author John le Carré – Golanvideoagency.info

The Russia House John Le Carre S Bestselling Classic Is A Timeless Spy Thriller About The Iron Curtain And The Tense Relationship Between Great Britain And RussiaJohn Le Carr Has Earned Worldwide Acclaim With Extraordinary Spy Novels, Including The Russia House, An Unequivocal Classic Navigating Readers Through The Shadow Worlds Of International Espionage With Critical Knowledge Culled From His Years In British Intelligence, Le Carr Tracks The Dark And Devastating Trail Of A Document That Could Profoundly Alter The Course Of World Events In Moscow, A Sheaf Of Military Secrets Changes Hands If It Arrives At Its Destination, And If Its Import Is Understood, The Consequences Could Be Cataclysmic Along The Way It Has An Explosive Impact On The Lives Of Three People A Soviet Physicist Burdened With Secrets A Beautiful Young Russian Woman To Whom The Papers Are Entrusted And Barley Blair, A Bewildered English Publisher Pressed Into Service By British Intelligence To Ferret Out The Document S Source A Magnificent Story Of Love, Betrayal, And Courage, The Russia House Catches History In The Act For As The Iron Curtain Begins To Rust And Crumble, Blair Is Left To Sound A Battle Cry That May Fall On Deaf Ears i just finished it two nights ago, and what a book thanks, ted, for turning me onto le carre he is a master of characterization, he has intricate, exciting, and utterly believable plots, and he has the added bonus of actually knowing what the hell he s talking about, having been on the inside of all this himself.even if you don t like spy fiction, there s much to admire here i can see why he s regarded as a grand master far and away better than ludlum, whose stuff has become dated in my opinion. 3.5 stars rounded downSpying is waiting I don t typically read spy thrillers any, and I would say the word thriller is used loosely here Spying may be waiting, and waiting is what I did for about one third of the book before becoming nearly fully absorbed It starts off slowly, and likely due to my ignorance of spy jargon, I was a bit lost Quite a few characters were introduced, and I had trouble distinguishing between several of them I even struggled to determine the role of the first person narrator Eventually, however, something clicked and I was off and running to the conclusionA Soviet friend of mine has written a creative and important work of literature It is a novel A great novel Its message is important for all mankindBritish publisher Scott Blair, otherwise known as Barley, has been entrusted with this piece of literature which has been passed to him from a Russian physicist through the hands of the beautiful and self sacrificing Katya Of course, this is not just any work of writing it contains some of the greatest intelligence secrets of the Soviet Union The time is mid to late 1980s during a significant period of reform nearing the end of the Cold War The manuscript, however, manages to get into the hands of the Russia House, a branch of the British intelligence agency, before reaching Barley s desk He quickly becomes an unlikely instrument in the game of espionage Barley also has a keen interest in women, alcohol, and jazz and it s not unusual to find him in some club playing his saxophone with a drink at hand Although I never became smitten with this guy, I did find him very intriguing and likeable enough He sort of grows on you throughout the book The plot is slow moving, but kept me interested once I got over the first hurdle Ideas of nuclear disarmament and the role of the various intelligence agencies, including the CIA, kept my attention There is of course a romance which inevitably brews between Barley and Katya I m not certain I totally bought into this, and wonder if it comes across convincingly in the screen adaptation I love learning about Russian geography and culture, so was captivated by the vivid descriptions of Moscow and LeningradA low cottonwool sky hung over the imported palaces, making them dreary in their fancy dress Summer music played in the parks but the summer clung behind the clouds, leaving a chalky Nordic mist to trick and tremble on the Venetian waterways Barley walked and, as always when he was in Leningrad, he had the sensation of walking through other cities, now Prague, now Vienna, not a bit of Paris or a corner of Regent s Park No other city that he knew hid its shame behind so many sweet facades or asked such terrible questions with its smile This is my first le Carr novel, and overall I enjoyed it 3.5 star worthy, but I am going to round it down with the hope that my next by this author The Spy Who Came in from the Cold will go up from there. I think it s instructive to read one of Graham Greene s spy novels back to back with one of John le Carre s because, surprisingly, it s instantly clear that le Carre is the better writer It s not just his plotting, which is always tight and suspenseful it s the actual strength of his writing the descriptions of places, the dialogues, the constructions of his wounded and noble characters One concern I had with this book was that it was written in 1989 after the golden age of the Cold War, which was a time that Le Carre shined as an espionage author But that concern was unfounded if anything, he s better in the age of glasnost, with all its moral vagary and shifting alliances And what s , he has learned to edit himself this book weighs in at a slender 340 pages, compared to 600 for most of the Smiley novels. The old isms were dead, the contest between Communism and capitalism had ended in a wet whimper Its rhetoric had fled underground into the secret chambers of the grey men, who were still dancing away long after the music had ended I love The Russia House I love the anger the way the novel seems to capture all the threads that le Carr had woven in most all of his cold war novels and noose both sides I love it for its humanity In some ways it reminded me of Orwell s Nineteen Eighty Four with the bureaucracies grey men of both sides of the Cold War desperate to continue the fight, desperate for an enemy, desperate for perpetual fear for the greater good While I was knocked over by Orwell s GREAT novel, I never cared for Winston Smith quite the same way I cared for Scott Blair Le Carr s genius is making you absolutely love his sinners and fear his saints, and then making you forget which is which and who is who The West is mirrored by the East We have become what we feared, what we fought Ultimately, le Carr s characters become like family Yes, they are flawed Yes, they are giants Yes, they are pettyand, utimately they are you.

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