[Download] ✤ Killed Cartoons: Casualties from the War on Free Expression Author David Wallis – Golanvideoagency.info
Think You Live In A Society With A Free Press These Celebrated Cartoonists And Illustrators Found Out Otherwise Whether Blasting Bush For His Bring Em On Speech, Spanking Pedophile Priests, Questioning Capital Punishment, Debating The Disputed Election, Or Just Mocking Baseball Mascots, They Learned That Newspapers And Magazines Increasingly Play It Safe By Suppressing SatireWith Censored Cartoons, Many Unpublished, By The Likes Of Garry Trudeau, Doug Marlette, Paul Conrad, Mike Luckovich, Matt Davies, And Ted Rall All Pulitzer Prize Winners Or Finalists , As Well As Unearthed Editorial Illustrations By Norman Rockwell, Edward Sorel, Anita Kunz, Marshall Arisman, And Steve Brodner, You Will Find Yourself Surprised And Often Shocked By The Images Themselves And Outraged By The Fact That A Fearful Editor Kept You From Seeing Them Needed Now Than Ever Because Of A Neutered Press That S Lapdog Than Watchdog, Killed Cartoons Will Make You Laugh, Make You Angry, And Make You Think A brilliant collection, less important for the cartoons it reprints than the stories behind them All told, this book is a particularly damning portrait of the media in the United States and, to a lesser extent, around the world These tales of censorship paint a portrait of media controlled by corporations, government, and fear of the public Very, very sad, and very, very powerful. I had to read this book for a journalism project, so going into reading Killed Cartoons I was expecting to be bored and only half read the book However, I got only a few pages in and became immediately hooked in the story The book follows all the cartoons that were cut denied from print and it states the reason for not being published The book includes many images of cartoons that were cut for various reasons including sex, politics, race, etc I would recommend this book to anyone, regardless of their interest in journalism, cartoons, or print because the book is not only full of information, but also very fascinating. I don t usually read a lot of political cartoons, mainly because I don t follow politics enough too depressing to allow me to understand most of them The editor and contributors to this book would say that I m what s wrong with the world today While I see their point about the importance of political cartoons, and the importance of cartoonists having the freedom to create scandalous images, I did feel like they had a somewhat overblown idea of their own importance. Killed Cartoons Casualties from the war on Free Expression is a compelling book edited by David Wallis Wallis has compiled a collection of editorial cartoons that were rejected by newspapers and magazines because they were viewed as too controversial This book challenges the reader to consider the responsibility of the press to inform without offending while it also sheds light on the fact that free press in America is not as free as we might think Wallis has put together a thought provoking book intended to inform its audience about the fragile balance of the free press.The theme of killed cartoons is that the media has become to afraid of controversy Newspapers and magazines are so afraid of offending anyone or or facing lawsuits that america is now only offered a watered down version of editorial art Editorial art is satire It is intended to entertain while at the same time offer constructive social criticism Its Purpose is to bring attention and discussion to current issues Wallis demonstrates the media s fear of rocking the boat through stories such as one he includes from cartoonist Steve Brodner When Broders satirical representation of George Bush was rejected due to fear of lawsuits, Brodner argued that since the cartoon represents speech, it would be protected by the first amendment Although most editors agreed this was true, the cartoon was still rejected due to what brodner describes as a prevent defense that publications deploy rather than facing a legal battle the would ultimately win 152 Another motivation to Kill cartoons is what Terry Mosher describes as cartoonist desire to be universally liked He states, for cartooning to survive, we have to go back to going after local figures and stop this mentioning that satisfies everyone 47 Throughout his book Wallis presents his theme of media s fear of controversy through various stories of why and how cartoons were killed.The style of Wallis s book is expository Through of compilation of rejected cartoons David Wallis shares each artist story of rejection Through each story wallis is able to highlight the various reasons media publications fear controversy He also uses the story to demonstrate the importance of political commentary to free press Wallies tells the story of pulitzer prize winning cartoonist Herbert Block whose cartoon was rejected by the Post due to the fact it supported Democratic candidate Adlai Stevenson rather than Eisenhower who the Post had endorsed When the beloved cartoons artwork was pulled, enraged post readers accused the Post of censorship and demanded the cartoonist reinstatement 122 This style of presenting life incidents allows the reader to analyze the controversy of the art versus the infringement on freedom Each story helps explain the struggle editorial cartoonist face.I enjoyed this book and found it very thought provoking I had not considered the impact cartoons have on society It was interesting to learn the contoveryseditorila cartoonist have faced throughout history as well as the impact they have had on influencing america I liked that each story was told as it related to a particular cartoon I also liked that the stories were told from each artist s perspective Wallis s use of rejected cartoons to present the media s fear of controversial topics was very enlightening I was expecting of a conclusion at the end, but appreciate that the reader is left to contemplate the stories and draw their own conclusions I would recommend this book I believe it has an important message about accepting controversial opinions in order to preserve the freedom of th press I don t want to live in a country where we are told only what we want to hear instead of the truth. Some of them are out there And some are just killed for a reason they lacked creativity or didn t make an efficient point The author describes well why the cartoons were killed and where from and whyWell organized Even the most hardened cynic will probably find one or two cartoons in this anthology to grumble about, and of course the pure of heart will find much but on the whole I found Killed Cartoons verbose and oddly tepid.Even so, editor David Wallis does manage some impressive range Independent artists like Ted Rall, Ward Sutton, Carol Lay and Keith Knight rub shoulders with editorial page mainstays like Mike Luckovich and Matt Davies, along with names like Garry Trudeau, John Callahan, Herb Block and even painter Norman Rockwell and there are dozens of names I m not even mentioning This book was conceived and published during the first years of the 21st Century, and it shows Although there are occasional forays into earlier history, the preponderance of these works is from the darkest years of the George W Bush dysadministration The theme is censorship political or editorial cartoons that were finished and submitted, but then spiked by fearful editors, or otherwise kept from publication in their intended venues The topics range from sex and death through religion and politics, to race relations and corporate power These are cartoons that the public didn t get a chance to see and judge which means, for example, that while this book several times brings up the infamous Danish Dozen cartoons about Mohammad that ran in Jyllands Posten in 2005, those cartoons themselves are not depicted They did, after all, at least see publication.The transgressive nature of the images that do appear in this book, though, didn t really bother me they just didn t seem that outrageous Maybe I m jaded The biggest issue I had with Killed Cartoons was that the cartoons weren t really allowed to stand on their own not only were there seemingly far words than pictures the first image isn t even allowed to appear until p.29 , but also the words came first the images were always explained, sometimes redundantly, in prefaces, before the cartoons were ushered onstage, by which point their impact was unavoidably muted.Nonetheless, if this topic and these artists are remotely of interest, you should probably make the effort to seek this book out and take a look at what these artists tried and mostly failed to get into print until now. I admit that when I first grabbed this book off the library shelf my only intention was to read read the cartoons and skip over the commentary But when I couldn t resist the additional text I can t even ignore the print on shampoo bottles in the shower so I m not sure who I was kidding I was pleasantly surprised.The descriptions around the cartoons were engaging and informative and blah, blah, I m making it sound boring It s not Here are something I learned while reading this book that for comic artists writing for newspapers, pay rates have not gone up at all in the past ten years In fact..have fallen Here s somethings I found to be interesting upsetting that people Christian Right people were okay with photos of Abu Ghraib prisoners being degraded but a cartoon depicting in a fairly mild manner the hypocrisy of the Moral Majority was killed for fear of offending people That some editors don t want to represent poverty issues in a way that shows people enmeshed in poverty can be intelligent, aware, involved people while risking a little discomfort from rich people Then there are the cartoons that made me gasp In a good way Schindlers other list a 9 11 comicand a comic dealing with hate crimes in the wake of Broke Back Mountain s release. Killed Cartoons undermines its reason for existing by not reproducing the offending depictions of Muhammed in the chapter about the Danish cartoon uproar. Wow I learned a lot about the media, particularly newspapers This collection of killed cartoons with context and commentary for each and was pretty fascinating Freedom of the press Yeah right Cartoonists have been forced to silence their opinions about Bush, the Catholic Church, 9 11 or any other war and Reagan, and newspaper s fear offending any of their readers is pretty upsetting I guess I should ve known.but I really didn t think about it enough Seems newspaper editors have no backbones at best, and are blatant propagandists at worst Budding cartoonists can t bank on ever making a career of their talents, so it seems, and it s a shame I was provoked and moved by many of the brilliant editorial cartoons in this collection.